If you activate and deactivate the three layers of fill or adjustment that we have applied menupage

There are many ways to modify the color and contrast of an image. While in some cases we are interested desaturate and reduce the gap between blacks and whites, at other times we will look is just the opposite: the tones and enhance the impact of this image without losing quality and authenticity by the way.
For this purpose there are no better tools to adjustment layers or fill. These allow us to apply all kinds of changes menupages to the image without destroying the original layer and can edit or delete menupages them individually at any time without the rest of the image is affected.
For today's tutorial we will use the image of a participant from the Thomas Cook Ironman menupages 70.3 Mallorca, which takes place each year on the island menupages of Palma de Mallorca during the month of May and a server photographically covered a year ago.
Photography is not far from a disaster in terms of color and contrast, but it is clear that the background blue sky and skin tones in the foreground runner could give much more of himself. menupages They lack the color, intensity and a little contrast, so we understand. Let's have remedied that.
Once there click on the icon Create new fill or adjustment layer (at the bottom of the layers palette, the icon with black and white half half circle). A popup menu opens and select the first option in the list, the uniform color.
In the center of your screen a popup window appears. This is the uniform color selector we want to apply our image. We seek a very garish green and yellow are two ways to select the color. We can enter the values of 219, 255 and 184 boxes of R, G and B, respectively, or you can enter the name of the color (dbffb8) directly into your mailbox, which is preceded by the symbol #.
If you activate and deactivate the Color Fill layer 1 will see little change of tone color and the image suffers. Being a very light color, we also see a small change in the overall image brightness.
Firstly we will click on the All box and select the first option, ie, R eyes. We'll go to the Saturation box and introduce a value of 10 in the text box, thus enhancing a little red in the image. menupages
We return to the All check box and select the option to give Yellow a value of 14 in the Saturation menupages box, just like we did with the Reds. Now is the turn of the Greens, who apply a value of 18 in the Saturation box.
We continue with Cyans, Blue and Magenta, which apply Saturation values of 11, 20 and 7, respectively, following the system we have followed so far with the other colors.
We click on the check box of colore and re-select the All option, we will Saturation box and enter a value of 8, so as to raise the overall saturation of the image.
Blessed curves, we will use them to change the contrast of the image. While Photoshop already has a fill or adjustment layer Brightness and Contrast, it does not provide anywhere near the control that provides the Fill or Adjustment Layer Curves.
Depending on the picture we use, the effect of this curve may be more or less evident. If we like it as is, leave it at that. If instead you want something more subtle, we can always reduce the opacity from the Layers palette.
If you activate and deactivate the three layers of fill or adjustment that we have applied menupages to see the most obvious change has been the photograph. Now do justice to that beautiful blue sky background, the skin tones and the whole corridor in general.
In fact, with these settings the picture reminds us a bit now some pictures taken with the popular Kodak Kodachrome film and Fuji Velvia. Can we added a bit of noise in the image and turn it into something even more "analog"?
We headed to the top menu bar and select the Layer menu. In the window to let the end-all and select Flatten menupages layer. We have all the adjustment layers and the bottom layer in a single menupages layer on which to work.
Again, these adjustments are likely to vary slightly depending on the type of photo we use. Perhaps the photo you are editing and contains noise and do not even need to follow this step.
The best thing about working with layers of fill or adjustment menupages is the freedom of movement they provide. We can modify any setting at any time and can even eliminate some other layer without being affected in any way. And the original image is always there to unchanged background.
In fact, it is as if we had a